Female Prisoner Scorpion: The Complete Collection

image host

I’ve always been a fan of exploitation films. As a young teen, I loved the babes, the sex, the violence, the gore, and the exploitativeness of it all. I still love that stuff now, I guess, but I really love the unabashedness of those films now. Exploitation films are exactly what they say they are going to be. They don’t try to wrap that stuff up in artistic pretensions like so many other films do. 

Sometimes they are actually good movies too, as is the case with at least two of the Female Prisoner Scorpion flicks.  I reviewed the Arrow Video box set of all four films back in 2016 and now you can read them.

The Night Manager: Season One

the night managert

The Night Manager is a rather slow but still thrilling spy series starring Tom Hiddleston, Hugh Laurie, and Olivia Colman. It also introduced me to the wonderful Elizabeth Debicki. Weirdly, some ten years after the first season, a second one has dropped. I haven’t seen it but I quite liked the first one. I’m thinking I need to rewatch it before diving into the second one. You can read my review of Season One over at Cinema Sentries.

Westerns In March: The Quick and the Dead (1987)

image host

Not to be confused with the Sam Raimi film of the same name, this The Quick and the Dead stars Sam Elliott, Kate Capshaw, and Tom Conti and was based on a book by Louis Lamour. I haven’t seen the Raimi film, but I’d bet my ten-gallon hat it is a lot better than this nonsense.

In the Wild West, Duncan McKaskel (Tom Conti), his wife Susanna (Kate Capshaw), and their 12-year-old son Tom (Kenny Morrison) are traveling to Bighorn, Montana, where Susanna’s brother is camped with Custard. The rest of the wagon train were stricken with consumption.

They come across an old, worn-down town and ask a man named Doc Shabbitt (Matt Clark) for help. He says they can stay in an abandoned house for the night, but Duncan decides Shabbitt’s gang looks a little too shabby, and they decide to move along.

That night Shabbitt’s men steal two horses from our heroes.  And then comes Con Vallian (Sam Shepherd). He’s half Native American and a full-blooded badass.  He’s also the kind of guy who likes looking at Susanna and saying things like “Your wife sure is a handsome woman.”  And then says it again. And again. Seriously, half his dialogue is saying inappropriate things to her. It is all kinds of creepy, and he’s the hero of this film.

Anyway, Vallian tells Duncan about the stolen horses and how Shabbit took them. He also says if he doesn’t do something about it, then Shabbitt’s men will think them weak and will keep coming back for more stuff and his woman. Vallian says he’ll take care of it, but Duncan says, “No” it is his battle to fight. Vallian says “ok” and you get the feeling he wouldn’t mind if Duncan got killed so he could have some good times with that “handsome woman.”

Duncan goes to the men and demands his horses back and nearly gets killed for it. Luckily, Vallian came in behind him and saves the day. When they return to camp, the boy hails Vallian as a hero and she starts looking at Vallian like maybe he’s a handsome man.

The rest of the film is like this. Shabbitt or his men will attack, and Vallian will defeat them. Tom wishes his dad was more like Vallian, and Susanna finds herself taking waterfall showers within Vallian’s view. 

What pissed me off about all of this is that Duncan is a good man. He’s smart and fair, and he doesn’t lack for courage. He goes after Shabbitt just as much as Vallian, and he’s not afraid to look Vallian in the face and tell him to stop saying such things about his wife. He isn’t as tough or masculine as Vallian or as good with a gun.  But he still deserves respect.  And he isn’t getting it from his wife, his son, or even the film.

Now I will say that Tom does sometimes say to Vallian that his dad is tough. That he fought bravely in the war. And other than one good kiss, Susanna doesn’t give in to her temptation. But it is still a weird and rather lousy way the film frames Vallian as a hero. This is a TV movie so thing do work out in the end, and if they hadn’t I would have thrown my boots at the TV.

The action is rather dull. Shabbit and his men aren’t particularly interesting or threatening, and the rest of the film never really goes anywhere. There is a romanticism to the Old West that I suspect comes from Louis Lamour’s book, but I sure hope he treats his characters better. 

Now you’ll have to excuse me, I’m going to go watch the Sam Raimi film in hopes it will help me forget this mess.

The Story of the Last Chrysanthemum (1939)

image host

Once again we’ve run into a film that I had forgotten I watched. I pretty much request to review anything that is offered from the Criterion Collection because they are always good, or if not good, at least interesting. Seeing this title, I instantly remembered I had seen it, but I couldn’t tell you anything about it. Reading my review makes me want to watch it again.  

The story is about a Japanese kid who wants to be an actor but isn’t very good at it.  He has to make many a sacrifice to hone his craft, as does his lover. The film dives into what it takes to make great art and if the sacrifice is worth it. You can read all my thoughts here.

Snowden (2016)

image host

Edward Snowden was a former NSA contractor who leaked thousands of documents proving the USA government was spying on its citizens. He was a complicated dude and not completely aboveboard, as one can assume since he’s become a Russian citizen, but also a hero for leaking those documents and letting us know what our government has been up to. This was all back in 2013, and considering everything else that has happened in this country since then, it all seems a little like “nothing much” which is a crazy thought in and of itself.

But I don’t  like to talk about politics in these pages, and I’ll leave it at that.  Of course Oliver Stone made a movie about Snowden, and I got to see it on the big screen back then. You can read my full review at Cinema Sentries.

Little Murders by Agatha Christie

image host

There have been a million adaptations of Agatha Christie stories. This French television did something original with it. They essentially removed Christie’s detectives (Poirot, Miss Marple, etc.) and inserted two original characters while keeping the plots. 

I reviewed this back in 2016 and haven’t watched it since, but I’m thinking it is time for a rewatch.  You can read my full review here.

Dead End Drive-In (1986)

dead end drive in arrow video

The thing about watching a lot of movies is that I can’t always remember all the details of every film.  Or any of the details.  Or whether I’ve even seen the film. The thing about writing lots of movie reviews is that when I forget about a movie, I can go back and read my reviews to jog my memory.

So it was with DeadEnd Drive-In. I probably would have recalled seeing this if you had asked me about it, but I wouldn’t have any idea what it was about.  But reading this old review makes me want to watch it again.

You can read it over at Cinema Sentries.  And yes, this is me once again going through these old reviews and posting them here.

Somewhere In Time (1980)

somewhere in time

Somewhere in Time is a film I’ve always felt like people loved. I thought it was a revered minor classic. I watched it many years ago and was a little disappointed in it, but when I got the opportunity to review this new UHD release from Kino Lorber, I figured it was time to give it another try.

Furthermore, I was still disappointed in it. Apprently, I was wrong thinking everybody else loved it because all my Letterboxd followers feel the same as me and all the reviews I’ve read find it to be mostly average.

Christopher Reeve becomes obsessed with an old painting of Jane Seymour and finds a way to travel back in time to meet her. 

Reeve and Seymour look beautiful, and the idea of the story is interesting, but I never really bought into the romance.  And the film didn’t seem all that interested in the time travel aspects. 

You can read all of my thoughts over at Cinema Sentries.

The Friday Night Horror Movie: Ginger Snaps Back – The Beginning (2004)

gingers snaps back

For the third (and final) film in the Ginger Snaps series, they went back to the beginning. Or rather the beginning of the beginning. Or something. What I’m saying is they made a prequel. 

Set in 1815, this film follows two sisters, Brigitte (Emily Perkins) and Ginger (Katharine Isabel), as they battle werewolves and try to keep Ginger from turning into one after she’s been bitten. 

If you’ll remember, that is exactly the plot of the original film, even down to the same actresses playing characters with the same names and (more or less) the same personalities.

Instead of being two modern girls living through the hell of high school and being obsessed with death, these sisters have survived a terrible accident that killed their parents and everyone else in their party while exploring the great wilderness.  

They come upon a nearly abandoned fort filled with suspicious characters. The people inside have been waiting for a party to return with food and supplies, but they are two months late.  Wolf-like creatures have been attacking the fort regularly.

One night Ginger discovers a strange, deformed boy hidden in a room. The boy bites her. It will come as no surprise to learn the boy was bitten by a werewolf and is starting to turn. Soon enough Ginger will start to turn as well.

To keep that from happening, she needs to kill the boy. But her father is none too keen on that happening, and killing a child proves a bit difficult for her as well.

The original Ginger Snaps was a terrific little horror film that blended the smart high school satire of Heathers with a good dash of bloody horror. This third entry feels like they just took the same concept and threw it into a different time period. The sisters act just like they do in the original film, down to the way they talk (which is rather off-putting since it takes place in the 1800s). There also isn’t much satire to it.  It really doesn’t feel like they took the time to think through the earlier time period but needed it to be a sequel since (spoilers for the previous films) Ginger is dead and Brigitte is a full-fledged werewolf. 

The end result isn’t terrible. It is a perfectly serviceable horror film. It just pales in comparison with the first one.

Five Cool Things and Mike & Nick & Nick & Alice

image host

Hello, and welcome to another addition of Five Cool Things. I did good this time as I’m posting this just one day after it hit Cinema Sentires. This time I’m talking about Kagemusha, Port of Shadows, Five Star Final, Face/Off and a new movie trailer. Come on over to Cinema Sentries to read all about it.